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  • Fashion and Art
  • Berg Fashion Library
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Fashion, Popular Culture and Art

Adam Geczy

Adam Geczy is an artist and writer who is Senior Lecturer at Sydney College of the Arts, the University of Sydney, Australia Author affiliation details are correct at time of print publication.

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Vicki Karaminas

Vicki Karaminas is Professor of Fashion and Deputy Director of Doctoral Research at the College of Creative Arts, Massey University, New Zealand Author affiliation details are correct at time of print publication.

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Lesson plan

...Introduction: What Is This Unit About? This course deals not so much with fashionable art (the trends that move styles), but rather the rich crossover between art and fashion that has been desultory but nonetheless active since the birth...

Conclusion: Between Beauty and Terror

Adam Geczy

Adam Geczy is an artist and writer who is Senior Lecturer at Sydney College of the Arts, the University of Sydney, Australia Author affiliation details are correct at time of print publication.

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The Artificial Body in Fashion and Art : Marionettes, Models, and Mannequins

Bloomsbury Academic, 2018

Book chapter

...Thomas Mann, Buddenbrooks (1901) (Frankfurt am Main: Fischer, 1993), 534.Would the puppet theater be big? Big and wide? How would the curtain look? A small hole has to cut into it as soon as possible because there was also a peephole...

Future Postscript: Shells and Ghosts, Bodies and Souls

Adam Geczy

Adam Geczy is an artist and writer who is Senior Lecturer at Sydney College of the Arts, the University of Sydney, Australia Author affiliation details are correct at time of print publication.

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The Artificial Body in Fashion and Art : Marionettes, Models, and Mannequins

Bloomsbury Academic, 2018

Book chapter

...Charles Baudelaire, “Moral du Joujou,” in Œuvres complètes (Paris: Gallinard Pléiade, 1954), 687.Most of the little ones want above all to see the soul, some after a little recreation, others straight away. It is the greater or lesser...

A Model Subject: The Window Dummy, the Fashion Doll and the Double

Adam Geczy

Adam Geczy is an artist and writer who is Senior Lecturer at Sydney College of the Arts, the University of Sydney, Australia Author affiliation details are correct at time of print publication.

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The Artificial Body in Fashion and Art : Marionettes, Models, and Mannequins

Bloomsbury Academic, 2018

Book chapter

...See Adam Geczy and Vicki Karaminas, Fashion’s Double: Representations of Fashion in Painting, Photography and Film (London and New York: Bloomsbury, 2015).Giacomo Leopardi, “Dialogue Between Fashion and Death,” Dialogues, available...

Interpretation

Ingrid E. Mida

Ingrid E. Mida (PhD, Art History & Visual Culture) is an art and dress historian. Responsible for the revival of the Ryerson Fashion Research Collection in Canada, Dr. Mida is the author of books, chapters, and articles on fashion and art, research methods in fashion and art history, curatorial practice, and museum studies. Author affiliation details are correct at time of print publication.

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Reading Fashion in Art

Bloomsbury Visual Arts, 2020

Book chapter

...Pierre-Louis Pierson and Virginia Oldoini, Scherzo di Follia, ca. 1861–1867, printed ca. 1930. Gelatin silver print from glass negative (39.8 × 29.8 cm). Introduction Interpretation is the act of explaining or showing your understanding...

On Fashion Criticism

Philosophical Perspectives on Fashion

Bloomsbury Academic, 2017

Book chapter

...The legitimacy of fashion as an aesthetic practice depends on the existence of genuine fashion criticism. However, with some notable exceptions, such criticism is virtually non-existing in the domain of fashion. There has been little...

Dark Doubles: Dolls as a Solution to the Fallible Body

Adam Geczy

Adam Geczy is an artist and writer who is Senior Lecturer at Sydney College of the Arts, the University of Sydney, Australia Author affiliation details are correct at time of print publication.

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The Artificial Body in Fashion and Art : Marionettes, Models, and Mannequins

Bloomsbury Academic, 2018

Book chapter

...Edward Gordon Craig, On the Art of Theatre (London: Heinemann, 1914), 94.Do you see, then, what has made me love and learn to value that which to-day we call the “puppet” and to detest that which we call “life” and “art.”Maurice...

Fashion: A Conceptual Constellation

Giovanni Matteucci

Giovanni Matteucci is Full Professor of Aesthetics at the University of Bologna, Italy. Author affiliation details are correct at time of print publication.

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Philosophical Perspectives on Fashion

Bloomsbury Academic, 2017

Book chapter

...This survey of the main philosophical implications of fashion aims to highlight how the latter may lead to a rethinking of the aesthetic phenomenon. The first part deals with the question concerning the place of fashion within our cultural...

Introduction: From Subculture to High Culture

Adam Geczy

Adam Geczy is an artist and writer who is Senior Lecturer at Sydney College of the Arts, the University of Sydney, Australia Author affiliation details are correct at time of print publication.

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and

Vicki Karaminas

Vicki Karaminas is Professor of Fashion and Deputy Director of Doctoral Research at the College of Creative Arts, Massey University, New Zealand Author affiliation details are correct at time of print publication.

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Critical Fashion Practice : From Westwood to van Beirendonck

Bloomsbury Academic, 2018

Book chapter

...Shortly after Malcolm McLaren and Vivienne Westwood met in 1971, they set up shop at 430 King’s Road, calling their business “Let it Rock.” It would shortly evolve into the now legendary punk boutique with the unambiguously provocative name...

Possessed: evocative objects, meaning, and materiality

Louise Crewe

Louise Crewe is Reader in Economic Geography, University of Nottingham. Author affiliation details are correct at time of print publication.

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The Geographies of Fashion : Consumption, Space, and Value

Bloomsbury Academic, 2018

Book chapter

...I hate when people say they don’t care about clothes, because it’s a lie … We are always asking for something when we get dressed. Asking to be loved, to be fucked, to be admired, to be left alone, to make people laugh, to look wealthy...