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Thinking “Print”: Graphic Design and Elements in Two Dimensions

Karl Aspelund

Karl Aspelund, PhD, is an Assistant Professor in the Department of Textiles Fashion Merchandising and Design at the University of Rhode Island and has been a designer, artist, and teacher for over 20 years in apparel, theater, film and digital media. He received his PhD in Anthropology and Material Culture from Boston University, University Professors Program, where his dissertation on women's national dress practices in Iceland was awarded the University Professor's Edmonds Prize for Best Doctoral Dissertation of the Academic Year 2010-2011. Aspelund's research interests are in the field of apparel design and personal and national identity creation. Author affiliation details are correct at time of print publication.

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Designing : An Introduction

Fairchild Books, 2015

Book chapter

...Designers Speak“When a type design is good, it is not because each individual letter of the alphabet is perfect in form, but because there is a feeling of harmony and unbroken rhythm that runs through the whole design, each letter kin...

Color in Designed Products, Installations, and Printing

James Thomas Long

James Thomas Long is Professor Emeritus at Virginia Commonwealth University. He has also served as Associate Professor in the Art Foundation, Interior Design, and Photography and Film departments at the university. Long was awarded an international fellowship in 1993,and has had photographs featured in books and journals in the USA, Europe and Asia. Author affiliation details are correct at time of print publication.

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The New Munsell Student Color Set

Fairchild Books, 2011

Book chapter

...Today’s designer and artist works in a world where many decisions are based on science and current technology. The objective of this chapter is to provide an introduction to the science of measuring color and the effect of contemporary...

A Century of Chinese Printed Textiles in Shanghai

Styling Shanghai

Bloomsbury Visual Arts, 2020

Book chapter

...Introduction The purpose of this chapter is to illustrate the key factors that made Shanghai such an important centre in China for textile designs and fashionable styles through diverse historic periods, and to explain how the visual...

Dyed and Printed Fabrics

Deborah E. Young

Deborah Young is based at The Fashion Institute of Design & Merchandising, USA. Author affiliation details are correct at time of print publication.

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Swatch Reference Guide for Fashion Fabrics

Fairchild Books, 2018

Book chapter

...Reference SwatchesFiber/Stock DyedYarn DyedPiece DyedCross DyedLiberty Print/DitsyToile de JouyPaisley PrintDirect PrintBlotch PrintOverprintDuplex PrintDischarge PrintHeat-Transfer PrintFlock PrintVelvet BurnoutBatiste BurnoutJersey...

Textile Printing

Ingrid Johnson

,

Ingrid Johnson is a Full Professor at the Fashion Institute of Technology (FIT), US. Author affiliation details are correct at time of print publication.

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Allen C. Cohen

Allen C. Cohen was Professor Emeritus of Textile Science at the Fashion Institute of Technology, US. Author affiliation details are correct at time of print publication.

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Ajoy K. Sarkar

Ajoy Sarkar teaches textile development and marketing at the Fashion Institute of Technology (FIT), US. Author affiliation details are correct at time of print publication.

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J.J. Pizzuto’s Fabric Science

Fairchild Books, 2015

Book chapter

...Objectives To understand the principles of applying printed design to fabrics. To know the different methods of printing and the uses and limitations of each. To know the various types of prints attainable by the different printing...

African Print Textiles from China

Berg Encyclopedia of World Dress and Fashion Volume 1 : Africa

Berg Publishers, 2010

Encyclopedia entry

...The power of the dressed body to mediate notions of self and society while projecting futures despite economic uncertainty, is significant. Wax print cloth has that special power and holds special value in West African registers...

Coloring Agents

Edith Anderson Feisner

Edith Anderson Feisner is a Visiting Specialist / Assistant Chair (Retired) in the School of Fine Arts at Montclair State University. She has taught courses in color, design, and introduction to visual arts. She has held many positions in the Embroiderers' Guild of America including certified teacher, teacher certification board, as well as the author of the master craftsman programs in color and design. Her fine art works are in both public and private collections. Author affiliation details are correct at time of print publication.

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Ronald Reed

Ron Reed, MS, NCIDQ Certificate No. 20474, ASID, IDEC, IIDA, is an Assistant Professor and Program Coordinator for Interior Design in the School of Family and Consumer Sciences at Texas State University--San Marcos. Reed has served as the IDEC Southwest Regional Chair between 2011-2012. He holds a Masters Degree in Interior Design from Colorado State University and Bachelor in Interior Design from the University of Arkansas, Fayetteville. His research interest include color pedagogy and interior environmental features leading to perceptions of place-attachment and meanings of home in environments of limited personal control. Author affiliation details are correct at time of print publication.

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Color Studies

Fairchild Books, 2014

Book chapter

...After reading this chapter, you will be able to:Explain and compare the difference between additive (light) color mixing and subtractive (pigments and dyes) color mixing.Describe the basic processes and types of pigments and dyes artists...

The Design Process: Decorative Features

Evelyn L. Brannon

Evelyn L. Brannon is Professor Emeritus at Auburn University. Author affiliation details are correct at time of print publication.

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Designer’s Guide to Fashion Apparel

Fairchild Publications, 2011

Book chapter

...“Much seriousness is required to achieve the frivolous.”Explore decorative design using elements color, texture, line, shape, and pattern.Understand the color wheel as a design tool.Discover the characteristics that add up to fabric hand...

Non—Focal Point Design

Chris Dorosz

Chris Dorosz is based at The Academy of Art University, San Francisco. Author affiliation details are correct at time of print publication.

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J.R. Watson

J.R. Watson is based at The Academy of Art University, San Francisco. Author affiliation details are correct at time of print publication.

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Designing with Color : Concepts and Applications

Fairchild Publications, 2011

Book chapter

...From the decoration used by indigenous peoples to the overstocked shelves of a warehouse/bulk retailer, our fascination with pattern and the multiple is simple in its appeal, yet pattern can fill a range of purposes. Pattern loosely refers...

Fabric Specifications

Janace E. Bubonia

Janace E. Bubonia, PhD, is Professor and Chair of the Department of Design, Merchandising and Textiles at Texas Christian University. She has taught classes in design and product development, fashion illustration, fashion show production, promotion, and textile testing among others. She is a member of the International Textile and Apparel Association (ITAA) and the American Association of Textile Chemists and Colorists (AATCC). Author affiliation details are correct at time of print publication.

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Apparel Production Terms and Processes

Fairchild Books, 2017

Book chapter

...Designers consider many factors when selecting textiles for wearing apparel. Fabric classifications and characteristics regarding aesthetic desirability and performance are specified in relation to the garment’s design and intended use...