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Men’s Facial Hair in Islam

Hair : Styling, Culture and Fashion

Bloomsbury Academic, 2008

Book chapter

...In many cultures beards are sometimes treated with great care and veneration. Men’s facial hair in Islam falls within a host of issues related to Muslim masculinity. These include defining cultural and religious markers that signal...

Hair Control

Hair : Styling, Culture and Fashion

Bloomsbury Academic, 2008

Book chapter

...This study of the ‘disciplined head’, in the form of buns, chignons, knots and pulled back ‘up-dos’, has its origins in the escalating interest in cultural approaches to the body (Turner 1996; Shilling 2003). Disciplined hair can be read...

Afro Hairstyle

The Berg Companion to Fashion

Bloomsbury Academic, 2010

Encyclopedia entry

...At the end of the 1950s, a small number of young black female dancers and jazz singers broke with prevailing black community norms and wore unstraightened hair. The hairstyle they wore had no name and when noticed by the black press...

Themes in Cosmetics and Grooming

Classic and Modern Writings on Fashion

Berg, 2009

Encyclopedia entry

...Source: The American Journal of Sociology, 62(6) (The University of Chicago Press, 1957), 588–93.Cosmetic and grooming practices are universal among human societies. These practices may be analyzed according to casualness and control...

Roots

Sarah Cheang

Sarah Cheang is Senior Lecturer in the Department of Cultural and Historical Studies, London College of Fashion, University of the Arts London, UK. Author affiliation details are correct at time of print publication.

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Hair : Styling, Culture and Fashion

Bloomsbury Academic, 2008

Book chapter

...The Natural History Museum in London holds more than 5,000 samples of human hair from around the world. These specimens are currently used in the study of human DNA to reveal the genetic affiliation of different ethnic groups, patterns...

Conclusion

Sarah Cheang

Sarah Cheang is Senior Lecturer in the Department of Cultural and Historical Studies, London College of Fashion, University of the Arts London, UK. Author affiliation details are correct at time of print publication.

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and

Geraldine Biddle-Perry

Geraldine Biddle-Perry is Lecturer, London College of Fashion, University of the Arts London. Author affiliation details are correct at time of print publication.

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Hair : Styling, Culture and Fashion

Bloomsbury Academic, 2008

Book chapter

...Hair texture, colour and styling expresses a complex range of subject positions with respect to gender, ethnicity, race, class, nationality, religion, sexuality and age (Weitz 2004). These identities are both culturally and biologically...

From Style to Place

Hair : Styling, Culture and Fashion

Bloomsbury Academic, 2008

Book chapter

...As a site of production and consumption, the modern ladies’ hair salon can be seen as the concrete sign of a craft whose work has no permanence, its exterior and interior design mirroring the changing concerns of both hairdresser...

1912

Hairstyles and Fashion : A Hairdresser’s History of Paris, 1910–1920

Oxford International Publishers Ltd., 1999

Book chapter

...January 1912: The Wearing of Plume In the face of the universal increase in cost of all commodities and the excessive degree to which the grandes modistes have raised the charges for their millinery, many ladies have reduced the quantity...

1915

Hairstyles and Fashion : A Hairdresser’s History of Paris, 1910–1920

Oxford International Publishers Ltd., 1999

Book chapter

...January 1915: Bracelets, Chains, Rings, etc., Made of Hair Since the commencement of the war, that is to say from the time when modesty and simplicity took the place of the previous brilliant fashions, I have endeavored to publish a few...

“Digital Duo” Fashion Face and Hair

Stacy Stewart Smith

Stacy Stewart Smith is an Adjunct Assistant Professor of Fashion Design Art at the Fashion Institute of Technology (FIT), USA, where he instructs the finer points of digital fashion design and technical specifications using Adobe Illustrator® and Adobe Photoshop®. He has been teaching computer art, illustration, fashion design and merchandising courses since 1998 and was Teacher of the Year (2000) during his lengthy post at the Wood Tobé-Coburn School of New York. Smith is an accomplished fashion designer and fine art painter. Author affiliation details are correct at time of print publication.

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CAD for Fashion\nDesign and Merchandising

Fairchild Publications, 2013

Book chapter

...Objectives Your studies in previous chapters should have helped you to develop a particular balance between the illustrative effects of Illustrator® and Photoshop®. This chapter tests your ability to transition between the programs as you...