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  • Silk Screen Printing
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Textile Printing

Ingrid Johnson

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Ingrid Johnson is a Full Professor at the Fashion Institute of Technology (FIT), US. Author affiliation details are correct at time of print publication.

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Allen C. Cohen

Allen C. Cohen was Professor Emeritus of Textile Science at the Fashion Institute of Technology, US. Author affiliation details are correct at time of print publication.

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and

Ajoy K. Sarkar

Ajoy Sarkar teaches textile development and marketing at the Fashion Institute of Technology (FIT), US. Author affiliation details are correct at time of print publication.

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J.J. Pizzuto’s Fabric Science

Fairchild Books, 2015

Book chapter

...Objectives To understand the principles of applying printed design to fabrics. To know the different methods of printing and the uses and limitations of each. To know the various types of prints attainable by the different printing...

Surface Treatments

Jenny Udale

Jenny Udale is a lecturer at the University of Middlesex and Ravensbourne College, UK. Jenny is also a freelance textile and womanswear designer. She is the author of the first edition of Textiles and Fashion (AVA Publishing, 2008) and the co-author of The Fundamentals of Fashion Design, 2nd edition (2012). Author affiliation details are correct at time of print publication.

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Textiles and Fashion : Exploring Printed Textiles, Knitwear, Embroidery, Menswear and Womenswear

Fairchild Books, 2008

Book chapter

...Once a fabric has been constructed, it can be enhanced or altered with the application of different kinds of surface treatments. Pattern, colour and texture can be added to fabric through techniques that include print, stitch, fabric...

Dyeing And Printing

Virginia Hencken Elsasser

Virginia H. Elsasser, ITAA, ESRAB, is an Associate Professor in the Fashion in the Communication and Fine Arts Department of Centenary College. She has taught courses focusing on textiles, sociology of clothing, design, and retailing. She is a member of International Textile and Apparel Association (ITAA) and Educators for Socially Responsible Apparel Business (ESRAB). Author affiliation details are correct at time of print publication.

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Textiles : Concepts and Principles

Fairchild Publications, 2010

Book chapter

...Introduction In general, consumers expect two things. The first is aesthetically pleasing colors and prints. Most authorities agree that the color or printed design of a fabric is the most important factor in the customer’s decision...

Tracing Figurative Fashion Art and Photography

Stacy Stewart Smith

Stacy Stewart Smith is an Adjunct Assistant Professor of Fashion Design Art at the Fashion Institute of Technology (FIT), USA, where he instructs the finer points of digital fashion design and technical specifications using Adobe Illustrator® and Adobe Photoshop®. He has been teaching computer art, illustration, fashion design and merchandising courses since 1998 and was Teacher of the Year (2000) during his lengthy post at the Wood Tobé-Coburn School of New York. Smith is an accomplished fashion designer and fine art painter. Author affiliation details are correct at time of print publication.

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CAD for Fashion\nDesign and Merchandising

Fairchild Publications, 2013

Book chapter

...Objectives Chapter 6 explores the attributes of Illustrator® Live Trace and the Live Paint Bucket Tool (K) through various multifaceted presentation exercises. To help you create compelling digital fashion art and merchandising resources...

Alcorso’s Textiles after “Modernage”

Berg Encyclopedia of World Dress and Fashion Volume 7 : Australia, New Zealand, and the Pacific Islands

Bloomsbury Academic, 2010

Encyclopedia entry

...Claudio Alcorso’s “Modernage” collection of 1946–1947 is iconic in the history of design in Australia; however, the fashion textiles of the 1950s, 1960s and 1970s produced by his companies—Silk & Textile Printers and Universal Textiles...

The Onondaga Silk Company’s ‘American Artist Print Series’ of 1947

Amy Lund

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Linda Welters

Linda Welters is Professor of Textiles, Fashion Merchandising and Design and Director of the Graduate Program at the University of Rhode Island, USA. Author affiliation details are correct at time of print publication.

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Twentieth-Century American Fashion

Berg, 2008

Book chapter

...Editors’ Introduction: After the Second World War ended in 1945, most Americans resumed family life. The GI Bill sent many veterans back to school to further their educations. Women gave up their wartime jobs and retreated to their homes...

Printing and Transfer

Kimberly A. Irwin

Kimberly A. Irwin teaches fashion construction, apparel development and experimental design techniques at Savannah College of Art and Design (SCAD), USA. She is currently pursuing her passion of leather working and creating leather handbags. Author affiliation details are correct at time of print publication.

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Surface Design for Fabric

Fairchild Books, 2015

Book chapter

...Selecting and preparing dyes for printing on natural fabricsSelecting and preparing dyes for printing on synthetic fabricsUsing blocks or stamps to create a pattern on fabricUsing a screen to print on fabricPrinting on leatherTransferring...
...The Collection in Context Revealed in Paris, Jean-Charles de Castelbajac’s spring/summer 1984 collection was divided into two parts—the first showed a series of garments suitable for daily use, which adhered to his tendency to design...

Technical Considerations

Alex Russell

Alex Russell studied printed textiles at Manchester. After graduating, he worked as a designer and full-time lecturer in Nottingham. He then set up a freelance business, working across Europe, with an international client list creating print, pattern, forecasting and illustration work for fashion and interiors. He is now a senior lecturer on the Textile Design for Fashion program at Manchester Metropolitan University, UK, and continues to practice as a freelance designer. Alex's work features widely in books on print and pattern. Author affiliation details are correct at time of print publication.

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The Fundamentals of Printed Textile Design

Fairchild Books (UK), 2011

Book chapter

...The final chapter of this book looks at the practical and technical issues that printed textile designers need to be aware of. This breaks down into three sections:The first is looking at what practitioners need to know in order to be able...

Point-of-Purchase Display

Martin M. Pegler

Martin M. Pegler has been in the field of visual merchandising and store design for over fifty years and has authored and edited more than seventy books. He is an international lecturer on Display, Visual Merchandising and Store Design and an editor of the quarterly publication, Retail Design International. Author affiliation details are correct at time of print publication.

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Anne Kong

Visual Merchandising and Display

Bloomsbury Visual Arts, 2018

Book chapter

...The Glossary, Barnes and Noble. Design: Eric Williams RPG, New York City. After you Have Read this Chapter, You Will be Able to Discuss displays that are considered POP (point of purchase) reasons for the use of POP by retailers functions...